These songs contain Tech N9ne’s signature blend of rock and rap, but the album also includes a pair of intriguing contemporary R&B tracks. Though his “boss man” bullies him, Murs examines his financial and romantic woes with good humor.Įlsewhere, Kansas City’s JL, the most recent Strange Music signing, spews five words a second on a brief track that acts as an entirely convincing 50-second commercial for JL’s next project. Raps by Ubiquitous and the California-based Murs also redeem “Blunt and a Ho,” which opens with Tech N9ne delivering a voicemail message any sensible human resources officer would flag as workplace harassment. While Tech raps about “coughing up a loogey” on “Wake and Bake,” impassioned vocals from the multi-talented Krizz Kaliko rescues the otherwise putrid track.Īnd despite the shouted chant of “play ball slay all” that serves as the inept hook of “PBSA,” the men of Kansas City’s Ces Cru, Ubiquitous and Godemis, contribute smart and funny verses. Tech N9ne’s propensity for over-sharing is made bearable by contributions from his Strange Music label-mates. Tech N9ne’s stentorian flow salvages deplorable selections, as when he brags about his speedy delivery on “Slow to Me,” suggesting the oral dexterity that allows him to rap with nimble quickness can be adapted to sexual acts.

II to justify suffering through the 80-minute project. Still, there’s enough brilliance on Strangeulation Vol.

On the grotesquely lewd “Muah,” a contender for the worst song in his discography, Tech N9ne suggests that 'pounding punani each night' is a perk enjoyed by skilled rappers. The misogynistic “Fired” slanders a sexually adventurous 'stupid bitch' who's particularly 'loco' during 'the week of her period.' Details about a foreplay ritual on the revolting “Chilly Rub” might trigger gag reflexes in the most libertine of listeners. Scatological references aren’t the only questionable lyrics.

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